Jean Michel Jarre Zoolook (1984) equipment

 (last updated: 29/08/24)

Jean Michel Jarre Zoolook equipment

Recorded at JMJ’s Croissy Studio and Clinton Studios, NY

Instruments:

Electronic instruments

  • Synthesizers:
    • ARP 2600
    • E-mu Emulator (a.k.a. E-mu Emulator I)
    • EMS vocoder
    • EMS VCS3(?)
    • EMS Synthi AKS
    • Fairlight CMI Series II – main instrument on the album, for assortment of vocal samples
    • Moog Modular System 55
    • Oberheim OB-Xa
    • Sequential Circuits Prophet-5
    • Yamaha DX7
    • Yamaha DX9not listed in credits, but used for a tubular bell sound someplace as quoted in one interview
  • Drums & percussion
    • Linn LM-1 drum machine – “Diva”, “Zoolook” etc.
    • Linn LinnDrum drum machine – “Ethnicolor”
    • Simmons SDS-V electronic drum system
  • Other:
    • Dr. Click synchroniser
    • Geiss Matrisequencer 250 – custom built for Jean by Michel Geiss

Recording & Studio equipment

Microphones:

  • Crown PZM's – fitted on glass baffles for experimental recording, used for Laurie Anderson vocals, Yogi Horton drums
  • On guitar amps:
    • AKG C414 – 3 ft from speaker
    • AKG C451 – 2 ft from speaker
    • Shure SM57 – close mike, 2 inches from speaker
  • Neumann U87 – placed 5 feet away

Outboard equipment (partial list):

  • AMS DMX 15-80S digital delay/harmonizer – includes sampling etc.
  • AMS RMX-16 digital reverb
  • EMT 140 mono reverb plate (x2)
  • EMT 162 stereo plate
  • Lexicon digital reverb

Tape machines & recording:

  • MCI JH-24 24-track
  • MCI JH110 2-track – for ¼” 15ips master copy
  • Otari MTR-90 2-track ½” – ½” 30ips master copy made with this
  • Sony PCM-1610 digital – used for digital master, selected for final album
  • Studer A800 24-track: Clinton Studio (NY) sessions

Consoles:

  • MCI JH-636 36-channel /w automation: Jean’s home studio, recording & final mixing
  • Neve 8078 custom 40/32: Clinton Studios (NY) sessions
  • Solid State Logic SL-4000E: initial mixing at Trident Studios, London

Sundry equipment:

  • Westlake studio monitors /w 2x39cm subwoofers and wood exponential horns(?)
  • UREI monitors

Sources

Album credits

International Musician & Recording World, March 1985

Electronic Soundmaker & Computer Music, March 1985

Electronics & Music Maker, June 1982 (MCI desk & misc. info)

Mix, August 1986 (JMJ Croissy Studio info, page 50)

Interview with Francois Grapard (other info)

Studio Sound, March 1992 (JMJ equipment sale, page 105 PDF)

Recording Engineer/Producer, August 1985 (Daniel Lazerus, engineer interview – PDF pages 33 & 36)

Mix, May 1984 (Clinton Studios info – pages 90-91)

Musician, April 1986 (PDF page 68 – Adrian Belew info)

Various photos


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