Jean Michel Jarre Zoolook (1984) equipment
(last updated: 29/08/24)
Jean Michel Jarre Zoolook equipment
Recorded at JMJ’s Croissy Studio and Clinton Studios, NY
Instruments:
Electronic instruments
- Synthesizers:
- ARP 2600
- E-mu Emulator
(a.k.a. E-mu Emulator I)
- EMS vocoder
- EMS
VCS3(?)
- EMS Synthi AKS
- Fairlight CMI Series II – main instrument on the album, for assortment of vocal samples
- Moog Modular System 55
- Oberheim OB-Xa
- Sequential Circuits Prophet-5
- Yamaha DX7
- Yamaha DX9 – not listed in credits, but used for a tubular bell sound someplace as quoted in one interview
- Drums
& percussion
- Linn LM-1 drum machine – “Diva”, “Zoolook” etc.
- Linn LinnDrum drum machine – “Ethnicolor”
- Simmons SDS-V
electronic drum system
- Other:
- Dr. Click
synchroniser
- Geiss Matrisequencer 250 –
custom built for Jean by Michel Geiss
Recording & Studio equipment
Microphones:
- Crown PZM's – fitted on glass baffles for experimental recording, used for Laurie Anderson vocals, Yogi Horton drums
- On
guitar amps:
- AKG C414 – 3 ft from speaker
- AKG C451 – 2 ft from speaker
- Shure SM57 – close
mike, 2 inches from speaker
- Neumann U87 – placed
5 feet away
Outboard equipment (partial list):
- AMS DMX 15-80S digital delay/harmonizer – includes sampling etc.
- AMS RMX-16 digital reverb
- EMT 140 mono reverb plate (x2)
- EMT 162 stereo plate
- Lexicon digital reverb
Tape machines & recording:
- MCI JH-24 24-track
- MCI JH110 2-track – for ¼” 15ips master copy
- Otari MTR-90 2-track ½” – ½” 30ips master copy made with this
- Sony PCM-1610 digital – used for digital master, selected for final album
- Studer
A800
24-track: Clinton Studio (NY) sessions
Consoles:
- MCI JH-636 36-channel /w automation: Jean’s home studio, recording & final mixing
- Neve 8078 custom 40/32: Clinton Studios (NY) sessions
- Solid State Logic SL-4000E: initial mixing at Trident Studios, London
Sundry equipment:
- Westlake studio monitors /w 2x39cm subwoofers and wood exponential horns(?)
- UREI monitors
Sources
Album credits
International
Musician & Recording World, March 1985
Electronic
Soundmaker & Computer Music, March 1985
Electronics
& Music Maker, June 1982 (MCI desk & misc.
info)
Mix, August 1986 (JMJ Croissy Studio info, page 50)
Interview
with Francois Grapard (other info)
Studio
Sound, March 1992 (JMJ equipment sale, page 105
PDF)
Recording
Engineer/Producer, August 1985 (Daniel Lazerus,
engineer interview – PDF pages 33 & 36)
Mix, May
1984
(Clinton Studios info – pages 90-91)
Musician,
April 1986 (PDF page 68 – Adrian Belew info)
Various photos
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