Brian Eno Apollo: Atmospheres & Soundtracks (1983) gear



(last updated: 01/05/24)

Brian Eno Apollo: Atmospheres & Soundtracks (1983) gear

Instruments:

  • Sho Bud Professional lap steel guitar – Daniel Lanois’, played on “Deep Blue Day”
  • Fernandes Stratocaster copy – Brian's, possibly used someplace
  • Suzuki OM-27 Omnichord: basis of “Deep Blue Day” (slowed down)
  • Yamaha CS-80 synthesizer
  • Yamaha DX7(?) – see below
  • Unknown acoustic piano (possibly Yamaha C7?)

Note:  it’s often claimed that the Apollo soundtrack makes extensive use of the Yamaha DX7 (Roger Eno even said so in one interview as well), but the authenticity of this claim is dubious. As always, the source sound has been heavily treated to the point it significantly changes the character of the sound. The timelines don’t add up either: the DX7 was introduced in May 1983, whereas the soundtrack was released in July 1983. Also, Eno didn’t have his own DX7 until 1985, so until then he’d used one belonging to Grant Avenue studios. In a report from the ‘International Musician & Recording World’ (US) December 1984 issue, collaborator Daniel Lanois said Eno had been playing the DX7 for six months and developed beautiful tones with it on U2’s ‘Unforgettable Fire’ (recorded May-August 1984): so he’d been playing it since November 1983 at the earliest (a few months after the soundtrack’s release). Overall, it seems relatively unlikely a DX7 does appear on ‘Apollo’, if at all. The other synthesizer mentioned so far is the Yamaha CS-80, which seems a more likely candidate.

Outboard effects (partial list):

  • Treatments & processing:
    • AMS DMX 15-80S digital delay/harmonizer
    • EMT 250 digital reverb
    • Eventide H910 Harmonizer
    • Lexicon Model 93 Prime Time digital delay
  •  Compressors & miscellaneous:
    • Drawmer 1960
    • Valley People 610
    • Neve 1066 mic preamp/EQ

Miscellaneous studio equipment (Grant Avenue studios):

  • MCI JH500C console
  • MCI JH-24 24-track 2-inch tape machine
  • MCI 2-track?

Sources

Daniel Lanois Gearspace Q&A (question on “Deep Blue Day”)

Electronic Soundmaker, October 1984

Omnichord: https://www.keyboards.de/stories/brian-eno-daniel-lanois-ueber-apollo-atmospheres-soundtracks/

DX7 mention: https://www.factmag.com/2016/09/15/14-most-important-synths/

Down Beat, June 1983

Dan Lanois photo at Grant Avenue (early 1980s)

Sound On Sound, September 1992 (Roger Eno)

Various

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