Def Leppard Pyromania (1983)

 (Date updated: 17/06/2024)

Recorded February-November 1982 at Battery Studios, with additional recording (guitar & vocals) at Park Gates Studios

Def Leppard Pyromania recording gear

Musicians’ gear

Drums, samplers and percussion:

  • Fairlight CMI Series I (or II): used for drum programming (kick & snare) by John Kongos
  • Simmons SDS-V electronic drum system: used for tom-tom sounds & snare enhancement
  •  Paiste cymbals (assumed)

Guitars:

  • Fender Stratocaster: Steve Clark’s
  • Fender Telecaster: Steve Clark’s
  • Gibson Les Paul Standard (1975): Steve Clark’s
  • Gibson Les Paul Custom: Steve Clark’s
  • Gibson Les Paul Custom (1976): Phil Collen’s, solo on “Rock ‘Til You Drop”
  • Gibson Les Paul Deluxe (1966, Cherry Sunburst) /w Seymour Duncan ’59 pickups: Steve Clark’s
  • Gibson SG
  • Hamer Special (Sunburst): Steve Clark’s
  • Hamer custom: Steve Clark’s
  • Hamer Standard (one black, one sunburst, one white): Pete Willis’ main ones, likely used for rhythm guitars on all songs
  • Ibanez Destroyer (1980/81): Phil Collen’s, used for solos on “Foolin’”, “Rock Of Ages”, “Photograph” etc.
  • Ovation Balladeer: Steve Clark’s, “Foolin’”
  •  Unknown 12-string electric – “Die Hard The Hunter”

Guitar rig:

  • Boss CE-2 Chorus(?)
  • Boss DM-2 Delay(?)
  • Morley volume pedal (Steve Clark)
  • Marshall 100-watt amplifier /w 4x12 cabinets (Various)
  • Peavey amplifier: bass guitar

Bass guitars:

  • Fender Precision (black, late 70s)
  • Hamer Standard
  • Hamer Cruisebass

Keyboards & synthesizers:

  • ARP 2500: John Kongos synth overdubs
  • Moog Minimoog: played by Thomas Dolby
  • Roland Jupiter-4: Thomas Dolby’s main synth at the time, likely used on Pyromania
  • Roland Jupiter-8: Thomas Dolby’s, likely used

Recording & studio equipment

Microphones:

  • ElectroVoice RE20: guitars at Park Gates
  • Shure SM-57: drum sampling
  • Neumann
    • KM84: drum sampling, possibly hi-hats & cymbals
    • U67: guitar amplifiers, vocals
    • U87: guitar amplifiers (Battery Studios and Park Gates), vocals (Park Gates)

Tape recorders:

  •  Studer A800 mk. III 24-track: Battery Studios
  • Studer A80 mk. IV 24-track: Parkgates Studio
  • Studer A80 ½-inch 2-track
  • Studer A80 ¼-inch 2-track

Outboard effects (partial list):

  • AMS DMX 15-80 digital delay/harmonizer
  • AMS RMX-16 digital reverb
  • Drawmer DS201 dual noise gates
  • EMT 140 reverb plate
  • Eventide H910 Harmonizer – used for detuning snares
  • Lexicon Delta T delays
  • Lexicon 224 digital reverb
  • UREI 1176 compressor

Recording/mixing consoles:

  • Neve: Park Gates, Sussex (guitar & backing vocal overdubs)
  • Solid State Logic SL-4000E 40-channel: Battery Studio 1 London

Monitoring:

  • Auratone 5C
  • UREI 813 time-aligned: Battery Studios

Sources

Gearspace Mike Shipley comments (123)

Mike Shipley TapeOp interview

Mutt Lange 1984 letter posted on Gearspace

Engineer Craig Thomson interview

Phil Collen website (Guitar pages 1 & 2)

Guitar Player, March 1982

Guitar Heroes, July 1983

Guitar World, September 1983

Guitar For The Practicing Musician, May 1992 (Pyromania basses)

Nigel Green

Modern Drummer, December 1984 (Q&A section)

Music Week, 16 March 1985 (page 25)

Studio Sound, June 1985

Def Leppard Animal Instinct page 72 (Peavey)

Rick Savage Profile circa 1983 (Def Leppard Vault item  no.6)

Photo of Rick Allen from High N Dry (hi-hat mics): https://www.leppardvault.com/cdn/shop/files/012-0002563_246.jpg?v=1668371736

Steve Clark & Phil Collen song-by-song (December 1983)

John Kongos interview (archived)

Bryan ‘Chuck’ New (assistant engineer on Pyromania)

Nigel Green (assistant engineer on Pyromania, uncredited)

Comments